| I wrote Mother Jones in a short, intense burst, surrounded by a mountain
of Pepsi Twist cans that I drank only because I could not figure out how
to take them intravenously. Caffeine you see....
All the while I was picturing Agnes Cummings, one of the finest actresses
I have ever come across, dressed in that long black dress, haranguing a
crowd from a pulpit. Of course I could only hope she would agree to play
the woman once called "the most dangerous woman in America" by a particularly
uptight and spineless politician (that may be redundant actually). Mother
Jones was also one of the most famous women of her time, although
you'd never know that now. Her life has seemingly been erased from the
pages of history, perhaps by those who get to edit and air brush the past
to their liking. Historically, these have all been men by the way. Hmmm...
In our area, labor leader John Mitchell is still lionized, while the
woman who dogged his every upper class step, goading him to stop trying
to serve the working men while refusing to live in their world...is relegated
to a historical footnote. If I was a miner walking down a dangerous dark
alley, give me Mother Jones at my side any day. Mitchell could meet us
when the sun came up and cook us breakfast.
Lucky me. Agnes agreed to do it. But she had another request. A short,
10 minute script I had written earlier, called The Flying Girls
reached her. She loved it, and asked if anybody else had seen it. I told
her that another actress had expressed interest. She was quiet for a minute,
and then I said...."of course, if you want to do it, it's yours..." I may
be slow, but I eventually catch on. She was pleased, and I felt like I'd
just won a Pulitzer. Here was my favorite stage actress in the world, asking
ME if she could perform something I'd written.
The Flying Girls deals with the Triangle Shirtwaist Factory fire
of 1911...in which 146 (mostly young girls) people perished...many by choosing
to jump from the windows instead of waiting for the flames to consume them.
Watching those horrifying images from 9/11....where people leapt from the
Trade Center building together, often holding hands united in death, brought
my pen to paper. I tried to relive those last few moments on the precipice...which
was damn difficult I can assure you. I'm not sure if I got it right, but
Agnes says I did, and that's good enough for me.
Wherever Working Men Go is a first for me. What I've taken to
calling my "acoustic monologue"...in which a miner explains through song
how he is forced to make a decision that will both haunt him and crystallize
his thoughts for the rest of his days.
So here is your chance to see one of PA's finest stage actresses up
close....along with the luckiest playwright in the world hovering on the
fringes, trying not to knock anything over.
Tom Flannery
7/22/2003
Peckville, PA
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