|
a short play by Tom Flannery copyright 2003
Cast:
Scene:
Ernie: Why are we all the way up here in the back again? Vincent: I told you, I hate being hemmed in. I need space. I always sit back here Ernie: close to the crapper though Vincent: I’m glad to see our highbrow surroundings have not adversely affected your eloquence Ernie: well, it works out too because I may need constant updates on what the fuck is going on. Who are they waiting for again? Vincent: Godot (pronounced "gah-doe"). It’s the name of the play. Ernie: Godot? (pronounced "gah-doe") Vincent: Yes, Godot (pronounced "gah-doe"). Don’t you read your program? Ernie: I thought it was Godot (pronounced ggggg-doe)? Vincent: No, Godot (pronounced "gah-doe"). Ernie: I’ve been saying Godot (pronounced ggggg-doe). Vincent: Well, you are waiting for the wrong one then. I heard somebody on PBS say Godot (pronounced "gah-doe"), so it’s gotta be right. Ernie: Well, if you saw it on PBS…..when is he coming? Vincent: Ssh Ernie: He’d better hurry up. My arse is getting sore. Vincent: Shhh…. Ernie: Who is this guy then? Vincent: What guy? Ernie: This Godot guy Vincent: I think he’s supposed to represent God Ernie: God? Vincent: Um Ernie: Why not call it "waiting for God" then? Vincent: that would take the fun out of it Ernie: are you sure it’s supposed to be God? Vincent: no, but that seems reasonable. who else would they be waiting for every night? Ernie: these two putzes? are you kidding? how about a fucking tailor. look at them. Vincent: sssh… Ernie: what’s with the hats? Vincent: the hats? Ernie: yea, the bowler hats they’re wearing. Vincent: they are french Ernie: french? Vincent: yea, french bowler hats Ernie: You mean "freedom" bowler hats Vincent: What? Ernie: Never mind. I thought this was an Irish play. Vincent: The guy who wrote it was Irish, but he moved to France. Ernie: Why? Vincent: Why? Ernie: Yes, why did he move to France? Vincent: I have no idea Ernie: only french dudes would stand in the middle of the fucking road every night waiting for God. They’ll probably surrender to him if he shows up. I found a french rifle on Ebay….mint condition…..never fired, only dropped once. Vincent: it’s Godot they are waiting for, Ernie: you said Godot represented God Vincent: that is just my interpretation Ernie: so it may be wrong Vincent: yes, it could be wrong. Ernie: I don’t think Godot is God Vincent: no? Ernie: no Vincent: who then? Ernie: not a who. a what Vincent: ok, what then? Ernie: Irish Independence Vincent: wow, I’m impressed. How did you come up with that? Ernie: I overheard somebody in the lobby saying it Vincent: oh Ernie: if he’s right, no wonder these poor bastards look so ragged Vincent: it’s as good an interpretation as any I suppose Ernie: (line from Jeopardy) I think I’ll go for Irish Independence for 500 Alex Vincent: you’re entitled to your opinion Ernie: as are you Vincent: yes Ernie: so you think he ever shows up? Vincent: no Ernie: he doesn’t? Vincent: of course not Ernie: how do you know that? Vincent: this is a famous play Ernie: so you know what is gonna happen? Vincent: nothing is gonna happen Ernie: wha? Vincent: nothing is gonna happen. whoever they are waiting for never shows up Ernie: so what the fuck are we still doing here then? Vincent: it’s a famous play Ernie: do we at least find out who the dude is? Vincent: no Ernie: no? Vincent: no Ernie: I am confused Vincent: you are supposed to be confused Ernie: I am? Vincent: of course Ernie: why would somebody want to confuse me? Vincent: to make you think Ernie: I am thinking how many beers I could have had with the twenty dollars I spent on a ticket Vincent: I’m not sure that’s what the author had in mind, but it’s something at least Ernie: so you’ve seen this play before? Vincent: no Ernie: but you know this Godot dude doesn’t come Vincent: yes Ernie: how do you know? maybe he does and you don’t realize it Vincent: he doesn’t Ernie: how do you know Vincent: it’s a famous play. everybody knows how famous plays are gonna end up before they see them Ernie: I didn’t know until you told me Vincent: well, now you know. you and everybody else here Ernie: everybody knows the dude is not gonna show up? Vincent: of course they do Ernie: sometimes it’s hard to be an intellectual Vincent: the whole play is pointless. that’s the point Ernie: it’s a famous play though Vincent: so Ernie: famous plays can’t be pointless Vincent: sure they can. critics love gray area Ernie: gray area? Vincent: yea, shit that isn’t spelled out. that means they can make up their own interpretation. they love that. Ernie: so pointless is good Vincent: yes, if you want good reviews. it helps the writer to be a mysterious prick too Ernie: a mysterious prick? Vincent: yea, you know, cranky and miserable and aloof Ernie: why does that help? Vincent: don’t ask me. I’m not a critic. but it’s true. all critical darlings are pricks. Ernie: is the dude who wrote this a prick? Vincent: Beckett? Ernie: who? Vincent: Beckett. That is the name of the guy who wrote this. Ernie: oh. well, is he a prick? Vincent: he’s dead. Ernie: that helps too I suppose Vincent: of course it does. dead mysterious prick writers are the best kind. he was a skinny, cantankerous confusing bastard Ernie: when did he die? Vincent: Not sure. Not long ago Ernie: what? Vincent: not long ago Ernie: you mean this is not some eighteenth century shit? Vincent: no, it came out in the 50s Ernie: the nineteen fifties? you’re shitting me Vincent: no Ernie: somehow I can’t see these dudes hanging out at Arnold’s with Richie and the gang Vincent: happy days is a 70s show Ernie: what? Vincent: it is a 70s show. it wasn’t made in the 50s you know Ernie: yes, I realize that Vincent: they were harking back to an earlier time Ernie: yes, I grasp that point. hey, this is kinda the same thing then yes? Vincent: what? Ernie: kinda like happy days? Vincent: well… Ernie: I mean, the harking back to an earlier time thing Vincent: oh Ernie: cause just because the thing came out in the nineteen fifties doesn’t mean that it’s taking place in the nineteen fifties does it? Vincent: I suppose not Ernie: so it could be eighteenth century shit after all then? Vincent: what is this eighteenth century shit you keep talking about? Ernie: you know, the confusing old time Shakespeare thing Vincent: wha? Ernie: Everybody blabbers on about Shakespeare and how great he is, but that’s only because he’s from another century…and being British doesn’t hurt either. If he wrote that "where for art thou" shit today, people would kick him in the balls Vincent: that’s a bit harsh Ernie: nobody knows what the fuck he’s going on about, but nobody has the balls to admit it because he’s supposed to be so brilliant Vincent: but this play was written in the nineteen fifties Ernie: so you say Vincent: it was Ernie: I know, but it takes place back in Shakespeare time Vincent: I’m not sure when it takes place Ernie: look at that set. does that look like modern day Paris to you? Vincent: what exactly is your point? Ernie: do I need one? Vincent: it would help Ernie: what is Beckett’s point? Vincent: not sure Ernie: well then, maybe he didn’t have one either Vincent: he did have one. he just made it symbolic Ernie: wha? Vincent: he deals in symbolism Ernie: he does? Vincent: yes Ernie: well, what does Godot symbolize then? Vincent: God Ernie: that is your interpretation Vincent: yes Ernie: but you already said it could be the wrong one Vincent: could be. I don’t know what the man had in mind when he wrote it Ernie: so he could have been having a big laugh thinking about waiting for the fucking plumber coming over or something? Vincent: I doubt it. I’m sure he had grand thoughts Ernie: what makes you say that? Vincent: he was brilliant Ernie: brilliant? Vincent: yes, brilliant. some say the greatest writer of the twentieth century Ernie: who says that? Vincent: some critics Ernie: what do they know. the guy is a fucking ballbuster is all he is. he’s having a big laugh watching us spend twenty dollars to see a play about nothing. Vincent: he’s dead Ernie: yes, I know, but he probably died a rich man Vincent: he did actually. lots of money Ernie: what did folks say about this when it came out? Vincent: when? Ernie: you said it came out in the nineteen fifties Vincent: it did Ernie: well? Vincent: well what? Ernie: did people call him the greatest writer of the twentieth century then? Vincent: no, of course not Ernie: did they call it a work of genius? Vincent: no, actually, many people walked out and demanded their money back Ernie: really? Vincent: yes, I’ve read that. people hated it. they had no idea what it was about. they rioted in the theater and all that theatrical stuff Ernie: so we are much more enlightened I suppose? Vincent: wha? Ernie: why aren’t we walking out and demanding our money back then? Vincent: I told you…because Beckett is a genius. Ernie: who says? Vincent: I told you. The critics Ernie: what critics? Vincent: theater critics Ernie: tell me this….if I wanted to be a theater critic… Vincent: not bloody likely Ernie: be that as it may, but lets say that I want to become one, and I write a long column about how fucking insensibly boring Beckett is, and how he’s just been putting us all on these years, what do you think would happen? Vincent: what do you mean? Ernie: would I be taken seriously? Vincent: of course not. people would think you were mad Ernie: but why? Vincent: because Beckett is a genius. Ernie: who says so? Vincent: the critics Ernie: but lets pretend I am a critic and I say he’s a wanker Vincent: it’s too late Ernie: too late? Vincent: yes, everybody already said he’s a genius. too late to turn back now and call him a wanker Ernie: do you think he is a genius? Vincent: of course Ernie: why? Vincent: because if the guy from the New York Times says so, who am I to argue? Ernie: but what if the guy from the New York Times called him a wanker? Vincent: if he did, then nobody would be here watching Ernie: my point exactly! Vincent: so you DO have a point? Ernie: sometimes Vincent: listen. you have to rely on some feedback sometimes. I can’t go and see every play that comes down the pike you know Ernie: so you have to pick your spots Vincent: exactly Ernie: and you figured this Godot thing was a good bet Vincent: NY Times says so. not every day a classic like this comes to our little town Ernie: so you are a mindless drone swallowing whatever the New York Times tells you is worthy? Vincent: essentially, yes. London Times too. Plus, the guy won the Nobel prize too. Ernie: who did? Vincent: Beckett Ernie: for this shit? Vincent: for his whole body of work really, but this is his most famous work Ernie: the Nobel Prize? Vincent: yes, the Nobel prize Ernie: I thought that was a Jimmy Carter thing Vincent: that’s the Nobel Peace Prize Ernie: this is different? Vincent: yes, it’s the Nobel Prize for literature Ernie: who votes for that? Vincent: I suppose critics do Ernie: naturally. I wish I was a critic. Charles Schultz would win the fucker if I was in charge Vincent: Charles Schultz? Ernie: yea, the Peanuts dude Vincent: the cartoonist? Ernie: I don’t like your tone Vincent: I’m just trying to figure out who you are referring to Ernie: yes, the creator of Charlie Brown and Snoopy. Much better writer than this Godot guy Vincent: Beckett Ernie: who? Vincent: Beckett is the writer. Godot is who the characters are waiting for in the play. Ernie: the dude who never shows up Vincent: that’s the one. now you’re getting it Ernie: well, I’ll take Linus and Lucy over this shit any day. Linus had some interesting shit to say at least. These dudes are just rambling like a couple of homeless vagabonds Vincent: actually, I think they are homeless vagabonds Ernie: how do you know? Vincent: look at how they are dressed Ernie: maybe their clothes are only symbolic Vincent: now you’re getting into the spirit of the thing! Ernie: what else did he write besides this Godot thing? Vincent: he wrote lots of stuff Ernie: was it all as fucking deadly dull as this? Vincent: ssssshh Ernie: wha? Vincent: I’m trying to watch this Ernie: what are they doing now? Vincent: still waiting Ernie: for God? Vincent: no, for Godot Ernie: oh. so you’re not really missing anything by talking to me then? Vincent: I suppose not. they do yap a lot though. Ernie: what are they talking about? Vincent: I’m not really sure. It’s kinda stream of consciousness Ernie: stream of who? Vincent: stream of consciousness. it means rambling off the top of your head…you know, saying whatever comes to mind. Ernie: lets do that then Vincent: what? Ernie: lets do the stream of consciousness thing Vincent: ok, you start Ernie: this is fucking deadly dull Vincent: what is? Ernie: this Godot thing Vincent: oh. that’s what came to your head? Ernie: yes. Vincent: oh. it’s not really dull you know Ernie: what? Vincent: really, it isn’t. it’s kinda funny really Ernie: what’s funny about it? besides the hats Vincent: I don’t know, it’s just kinda funny, that’s all….you know, when they talk about hanging themselves from the tree and stuff. it’s funny Ernie: oh yea, suicide talk is a riot. we’re still doing the stream thing. your turn. whatever comes into your head now… Vincent: um… Ernie: cmon now. you don’t see these Godot characters thinking. they just blurt it out…so go ahead Vincent: don’t rush me Ernie: thank heaven’s you’re not in one of these Beckett plays Vincent: quiet, I’m thinking Ernie: you’re not supposed to think, you are supposed to say whatever comes into your mind Vincent: I’m thirsty Ernie: wha? Vincent: I am thirsty. That’s what I’m thinking Ernie: go get a drink Vincent: can’t now Ernie: why? Vincent: might miss something Ernie: are you serious? Vincent: you never know Ernie: you already know the dude is not coming. go get a fucking soda Vincent: no Ernie: (noticing something onstage) what the hell is that? Vincent: that’s pozzo and lucky Ernie: who? Vincent: pozzo and lucky. don’t you read your program. they’ve been onstage for a while now. you missed the big entrance. Ernie: I thought it was just the two dudes blabbering. Vincent: you thought wrong. deep shit going on here. Ernie: why does that dude have a rope around his neck? Holy shit, he called him "pig"! Vincent: yes Ernie: what is that all about Vincent: more symbolism Ernie: great. what is this guy supposed to represent? the republican party? Vincent: man’s inhumanity to man Ernie: that’s what I said. the republican party. I’m getting tired of symbols. Is this thing almost over? Vincent: First act will be ending soon Ernie: what did you say? Vincent: I said the first act will be ending soon Ernie: there is another fucking act? Vincent: yes Ernie: I’ve been sitting here for 90 minutes Vincent: so you should be all settled in then Ernie: but you told me that Godot never comes Vincent: he doesn’t Ernie: well what happens in the second act? Vincent: nothing, they just wait some more Ernie: does either of them die? Vincent: no Ernie: get laid? Vincent: nope Ernie: what then? Vincent: I told you. Nothing. They just wait for Godot. Now I’m not gonna answer any more questions about the second act. I’m gonna spoil it for you. Ernie: god forbid Vincent: there, the first act is over Ernie: now you can get a drink without missing any spellbinding action Vincent: yes, I can. would you like anything? Ernie: how about a handgun? Vincent: sorry (Vincent gets up to go, and onstage comes one of the actors from the play ("Vladimir"), who is rushing during the intermission to get to the bathroom, which is near where our heroes are sitting) Ernie: holy shit! it’s Godot or Beckett or whatever Vincent: It’s Vladimir actually. Ernie: how are you Vladimir? Vladimir: I am fine, thank you. Sorry, I didn’t think anybody was up here. Just have to run to the washroom. Ernie: fair play to you. we all have to go eventually, even actors I suppose (he tries to get around them, but Ernie blocks his path) Ernie: tell me…. Vladimir: yes? Ernie: who is this Godot fellow? Vladimir: I’m sorry? Vincent: Ernie, let the man pee Ernie: I’m just interested on your take of this play Vladimir: my take? Ernie: yes, do you like the play? Vladimir: I love it. It’s a classic Vincent: (to Ernie) see, I told you Ernie: yea yea, I heard all that. but what do you think about it? Vladimir: I love it Ernie: why? Vladimir: it’s a great play Ernie: why is it a great play? Vladimir: it’s wonderfully written..and explores universal themes eloquently Ernie: what universal themes? Vladimir: excuse me? Ernie: what themes that are universal does it explore Vincent: Eloquently. He said that too. (to Vladimir) you’ll have to excuse my friend. this is his first taste of Beckett Vladimir: confused are you? Ernie: I’m not sure that word is strong enough. There is nothing fucking going on up there. You must be bored out of your mind Vladimir: actually, I’ve played this role a bunch of times, and I never get bored Ernie: no? Vladimir: no Ernie: why not? Vladimir: because Beckett is a genius that’s why…no if you’ll excuse me I have to… Ernie: wait a minute there bub Vincent: bub? Ernie: you never answered my question Vincent: did you ask a question? Vladimir: did you ask a question? Ernie: I think so. Who the fuck is Godot anyway Vladimir: nobody really knows Ernie: well you’re fucking waiting for him. surely you do? Vladimir: well, it’s very symbolic you see Vincent: I told you Ernie: yea yea….ok….then tell me who or what this Godot symbolizes then Vladimir: who or what do you think Godot symbolizes? Ernie: well, Neil Simon here thinks he is God, and I think it’s Irish Independence because I heard some guy who looked really smart say that in the lobby. But since the guy who wrote it…. Vincent: Becket… Ernie: …yea, Becket. Since he is French now I wonder why he would give a shit about Irish Independence. If he really cared he’d be still living in Ireland fighting in the IRA instead of writing this pansy stuff in Paris. So…God or Irish independence? Or maybe French Independence? Vincent: Um….the French are independent Ernie: Really? Vincent: Yes, I believe so. Last I checked anyway. Ernie: I thought the Germans were running that place? Vincent: They were during the war…but we liberated them. Ernie: Liberated the German’s? Vincent: Well….you could look at it that was too I suppose…. Vladimir: hmmm. well, could be either you know. well, gotta run, another act… Ernie: so what happens in the second act then? Vincent: let the man piss for god’s sake! Ernie: I will, just give me a rundown on what to expect. Any action? Vladimir: action? Ernie: yea, action. you know, car crashes, nudity, a little kung fu? Vladimir: no sorry. Ernie: just more of the same waiting around and blabbering bit? Vladimir: yes, I’m afraid so….much like what we’re doing right now…now if you’ll excuse me… Ernie: sure sure, go ahead there lucky Vincent: actually, he is Vladimir. Lucky is the dog Ernie: there is no dog in the play Vincent: the one with the collar around his neck Ernie: the pig? Vincent: yes, he calls him a pig, but he’s supposed to be a dog Ernie: (to Vladimir) is that right? he’s supposed to be a dog Vladimir: um… Ernie: you don’t know? Vladimir: well…. Vincent: interesting Ernie: cmon, stream of consciousness now Vladimir: sorry? Ernie: you know, just say what comes to your mind like in the play Vladimir: I have to pee Ernie: you’re much better at that in the play than in real life Vladimir: sorry? Vincent: (to Ernie) leave the man alone Ernie: is he really a man then? Vincent: wha? Ernie: in the play, is he a man, or does he symbolize something else? Vincent: what are you asking me for? he’s standing right here. He oughtta know Ernie: well? Vladimir: well what? Ernie: what are you supposed to be? Vladimir: I’m not sure I follow Ernie: you said the play is full of symbolism Vladimir: yes Ernie: how do I know when something is real and when something is symbolic? how do I know you’re supposed to be a man? maybe you symbolize a carrot or something… Vincent: stream of consciousness now Vladimir Ernie: well? Vladimir: how the fuck do I know! I’m just an actor who needs to pee for Christ sake!! Ernie: well if you don’t know, how is the audience supposed to know then? Vladimir: ask the author Vincent: can’t Ernie: yea, he’s gone and died on us. so now what do we do eh? Vladimir: Maybe the second act will answer some of you questions. Now if you’ll excuse…. Ernie: look comrade…. Vincent: comrade? Ernie: Vladimir ain’t French Vincent: Never thought of that. What do you have to say for yourself comrade? Vladimir: are you mad? Ernie: No comrade. Just confused. When was this play written? Vincent: 1950s Ernie: Cold War time eh? Vladimir: cold what? Vincent: Now we’re getting somewhere! Vladimir: It’s nearly time for curtain Ernie: Iron curtain no doubt eh comrade? Vladimir: Look. I have no idea what you are talking about. My name is Bill Smith and I’m a carpenter from Avoca who dabbles in acting. I got offered this part and took it because the money is ok. I have no fucking idea what is going on on that stage. I just memorize my lines and try not to get yelled at by the director. Ernie: But you said Beckett was a genius Vladimir: Who? Vincent: The writer of the play. You called him a genius Vladimir: Well isn’t he? Vincent: I think so, but Ernie here has his doubts Vladimir: Well, the general rule seems to be that if I don’t understand what any of my dialog means, then the writer is a genius Ernie: My point exactly. Have you ever played Shakespeare? Vladimir: a few times Ernie: any idea what is going on there? Vladimir: None Ernie: (to Vincent) See? Vincent: see what? Ernie: Me and comrade pig here agree Vladimir: Hey! Ernie: Sorry. The pig is symbolic anyway. Vincent: Agree on what? Ernie: That this Beckett dude is a wanker Vladimir: And Shakespeare too. Ernie: Yea….the bard is a wanker too Vincent: I had no idea a night at the theater could be so illuminating Ernie: Got your 20 bucks worth that’s for sure. (to Vincent) Still thirsty? Vincent: (delivered like "does a bear shit in the woods") Is Beckett confusing? Ernie: Lets go get a belt. How about it Vladimir? Vladimir: Why not. Nothing happens in the second act anyway.
Just let me pee first.
End of Play |